Showing posts with label come to the edge. Show all posts
Showing posts with label come to the edge. Show all posts

Wednesday, 14 December 2011

Christopher Logue RIP

I see that the English poet, Christopher Logue, has died (3 December, aged 85). I wrote about this brief verse of his in a previous blog (27/10/2009):

Come to the edge.
We might fall.
Come to the edge.
It’s too high!
COME TO THE EDGE!
And they came
And he pushed
And they flew…


Usually it is attributed to the French poet, Guillaume Apollinaire. I could never understand why this is so. And then, one day, in a second-hand bookshop in York, I fell into conversation with the owner, who knew Logue.

This is what he told me. Logue had been commissioned to write the words for a poster for an exhibition of Apollinaire’s work. Being a literary magpie, in this case he took a stanza from a lengthy poem of his own (published in New Numbers in 1969) and used it on the poster.

So from thenceforth, it became part of Apollinaire’s public heritage, repeated constantly on the net. How ironic that is, given that Logue stole from all and sundry throughout his career.

Christopher Logue is perhaps best remembered now for his version for radio of Homer’s Iliad, which was published and broadcast over many years from its commission by the BBC’s Third Programme in 1959. This is a brief passage from Part One, War Music:

The battle swayed.
Half-naked men hacked slowly at each other
As the Greeks eased back the Trojans.
They stood close;
Closer; thigh in thigh; mask twisted over iron mask
Like kissing.


Dramatic stuff!

Tuesday, 27 October 2009

Come to the edge…

I first came across this short poem in the Saatchi and Saatchi annual reports of the 1980s:

Come to the edge.
We might fall.
Come to the edge.
It’s too high!
COME TO THE EDGE!
And they came
And he pushed
And they flew…

In the Saatchi report it was always attributed to the British poet, Christopher Logue, but every time I saw it afterwards it was said to be by the French poet, Guillaume Apollinaire.

Saatchi was quite right – was it chosen by Charles Saatchi? It’s part of a long sequence by Logue published as New Numbers.

I think it’s really inspiring, coupling the power of creative risk-taking with the energy of committed teams in achieving success. It captures very well the spirit at Saatchi’s in the early days, on their way to becoming No 1 worldwide.

What do you think of this little poem?