Over Christmas Day I read again “The Garden of Forking Paths”, a short story by the Argentinean writer and philosopher, Jorge Luis Borges.
Only ten pages long, it is densely complex in meaning, but the garden at the heart of the story stands as a metaphor for creative decision-making.
The central character describes his struggle to unravel the meaning of his great-grandfather Ts’ui Pên’s twin projects – a novel and a labyrinth - both apparently unfinished at his death:
“Almost instantly, I understood: ‘the garden of forking paths’ [ie the labyrinth] was the chaotic novel; the phrase ‘the various futures (not at all)’ suggested to me the forking in time, not in space… In all fictional works, each time a man is confronted with several alternatives, he chooses one and eliminates the others; in the fiction of Ts’ui Pên, he chooses – simultaneously – all of them. He creates, in this way, diverse futures, diverse times which themselves also proliferate and fork… In the work of Ts’ui Pên, all possible outcomes occur; each one is the point of departure for other forkings”
I believe this passage describes the constant dilemma faced not only by writers and gardeners, but also by artists, composers, inventors, scientists, innovators – in fact all who see themselves as living the creative life. Every creative decision, Borges suggests, has many possible ways forward, perhaps an infinite number, several of them potentially fruitful. The issue for most of us (though not for Ts’ui Pên) is to make choices, often working, in truth, in a mist.
This is not a proposition guaranteed to delight the hearts of publishers, academic supervisors, or leaders of teams and organisations, who necessarily seek clarity and reasonable certainty.
How do you deal with these creative forks?