Sunday, 21 October 2012
Thursday, 18 October 2012
Cutting back on innovation
A new research study* shows rather shockingly that a quarter
of British businesses have reduced their commitment to innovation in the
current economic climate. And more intend to do the same in the coming year.
Do they imagine that battening down the hatches will help
them to emerge from the current double-dip recession stronger?
It’s always been my experience that recession is a great
time to outperform timid competitors with new creative ideas that have the
potential to change the game.
*Allianz Insurance, 500 CEOs in Britain, 2012
Monday, 15 October 2012
Welcome to our home
As regular readers will know, I am a devoted follower of
Professor Hofstede and his researches into cultural difference as it impacts
organisations.
One thing is clear. It is a more difficult and complex matter to provide effective leadership in situations where there is low “power distance”.
When I lived in Sydney in the 1980s, the finest hotel in the city was the Regent. Not only did it have a magnificent position with sweeping views over the harbour. It also had immaculate service.
But Australia is a society that has joyfully escaped from the servant culture. “How do you get your people to be so terrific in dealing with guests?” I asked the General Manager, an American.
One thing is clear. It is a more difficult and complex matter to provide effective leadership in situations where there is low “power distance”.
Where power distance is high, for example in India or Latin
America, people by and large will do what they are told to do, and what’s more
expect it to be so.
But where power distance is low, for example in Australia,
how can a leader expect to get compliance?
When I lived in Sydney in the 1980s, the finest hotel in the city was the Regent. Not only did it have a magnificent position with sweeping views over the harbour. It also had immaculate service.
But Australia is a society that has joyfully escaped from the servant culture. “How do you get your people to be so terrific in dealing with guests?” I asked the General Manager, an American.
“It was a real problem to me for quite a while,” he
responded. “But then I got it. It dawned on me that Aussies are both intensely
house-proud and extraordinarily hospitable. So we re-positioned the hotel internally
as ‘our home’ and the customers as our own guests.”
Simple and brilliant.
Friday, 12 October 2012
Just one…
One of the most popular and successful TV ad campaigns that
I ever worked on was for Cornetto. And, in a rather degraded form, it was still
running quite recently, thirty plus years later.
Early commercials in the series were all shot in Italy, and,
of course, I had to be there. But the truth is that, if all the pre-production
work has been done well, there’s nothing more for someone like me to contribute.
I’d just be in the way.
So, after the first take had rolled, I would walk. That’s
why I know, for example, Venice so intimately.
After one long and tiring day - walking the towpaths,
crossing the bridges, visiting church after church - I fetched up in a square
with an imposing building straight ahead. It was Venice’s legendary opera
house, the Teatro La Fenice. I’d read about its fabulous rococo interior, but had
never been inside. The front door was open, so in I went.
“This way,” I was instructed, probably in Italian. And this….
And this…
And I found myself walking into the first notes of the
overture to Cosi fan tutte, then and now my favourite of Mozart’s great series
of operas. It was the dress rehearsal. I was in heaven.
The commercials? They were great.
Tuesday, 9 October 2012
Advertising Alfa
I’m reminded of the time that I missed the flight to
Milan. It’s not the only time that happened – in a long working life around the
world I’ve missed a few.
It’s just that this particular flight was in order to pitch the Alfa Romeo
business. And I was the one managing it. Quite luckily my boss and the creative
director were both there already and we won.
I’d always put my miss down to sheer incompetence on my
part. But thinking about it after such a long gap, I wonder whether a
contributory factor was my disappointment with the creative work we were
presenting?
In automotive advertising there’s a basic print ad design
that (to this day) seems to be used by nearly every manufacturer in the
mistaken belief that it will make their product appear different, better,
special. I don’t think so.
You can still see it in magazines around the world. Shiny,
but bland. And interchangeable between brands.
What added insult to injury was that a couple of years later
we were forced by another carmaker to resign the Alfa business – and I had to
get on another flight to Milan to inform them.
Life in the fast lane.
Saturday, 6 October 2012
Launching After Eight in France
I was given the task of persuading our French colleagues to
launch After Eight mints in France and, what’s more, to adapt and adopt the
British TV campaign.
You remember the scenario? Upper class British dinner party.
Everyone in evening clothes (tuxedos, black ties, long frocks, tiaras etc).
Silver candelabra on a groaning table. Plum-in-mouth accents. Horsey laughter.
After Eights being passed.
JWT at their most posh.
The French thought this quite impossible.
First of all, chocolate and mint together? Absurd.
Then, all those ridiculous clothes. Nobody in France goes to
dinner dressed like that.
“Nor do they in England,” I responded. “It’s a… joke.”
Long pause…
“Why would anyone want to go to dinner dressed as a waiter?”
they enquired.
Game. set and match.
Thursday, 4 October 2012
Drying the bitter tear
We had our celebration of William Lisle Bowles’s 250th
birthday at the weekend. Sixteen readers of twenty four of his poems at his
birthplace, King’s Sutton.
This is one of them - quite representative of the style that was so influential for Coleridge and others. The effect of time on grief:
Sonnet: July 18th 1787
O Time! who know'st a lenient hand to lay
Softest on sorrow's wound, and slowly thence
(Lulling to sad repose the weary sense)
The faint pang stealest unperceived away;
On thee I rest my only hope at last,
And think, when thou hast dried the bitter tear
That flows in vain o'er all my soul held dear,
I may look back on every sorrow past,
And meet life's peaceful evening with a smile—
As some lone bird, at day's departing hour,
Sings in the sunbeam, of the transient shower
Forgetful, though its wings are wet the while:—
Yet ah! how much must that poor heart endure,
Which hopes from thee, and thee alone, a cure!
Sir Arthur Quiller-Couch included it in his edition of The Oxford Book of English Verse of 1919.
Does it speak to you today?
This is one of them - quite representative of the style that was so influential for Coleridge and others. The effect of time on grief:
Sonnet: July 18th 1787
O Time! who know'st a lenient hand to lay
Softest on sorrow's wound, and slowly thence
(Lulling to sad repose the weary sense)
The faint pang stealest unperceived away;
On thee I rest my only hope at last,
And think, when thou hast dried the bitter tear
That flows in vain o'er all my soul held dear,
I may look back on every sorrow past,
And meet life's peaceful evening with a smile—
As some lone bird, at day's departing hour,
Sings in the sunbeam, of the transient shower
Forgetful, though its wings are wet the while:—
Yet ah! how much must that poor heart endure,
Which hopes from thee, and thee alone, a cure!
Sir Arthur Quiller-Couch included it in his edition of The Oxford Book of English Verse of 1919.
Does it speak to you today?
Monday, 1 October 2012
My top 10 visitors
These are the top 10 visitor countries to my blog for the
month of September 2012: UK, USA, Russia, Australia, Germany, Denmark, France,
India, Italy, New Zealand.
But, if one
recalculates in terms of per capita population, a quite different list emerges:
- Denmark
- UK
- New Zealand
- Australia
- USA
- Russia
- Germany
- Italy
- France
- India
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