Showing posts with label creative thinking. Show all posts
Showing posts with label creative thinking. Show all posts

Friday, 18 November 2011

Daydreaming and Creativity


It seems extraordinary that, when training people in creative thinking, I should need to spend such a large amount of time just getting them to listen to themselves.

For it is in our own thoughts and feelings that new thinking, new ideas, are born.

The problem usually stems from our educational pasts. At school it has always been consistently demanded that we pay attention to the teacher. There, “concentrating” means listening to him or her, not to oneself.

Yet so often what happens is that the teacher has said something interesting that stimulates us to go off on a fascinating internal journey, exploring the implications of what has been said. Yet, to the teacher, this can so easily be interpreted and censured as just not paying attention, “daydreaming”.

But how exciting and valuable daydreaming can be.

As the French poet, Arthur Rimbaud, put it (in a famous letter to Paul Demeny in 1871): “I witness the flowering of my thought: I gaze at it, I listen to it: I set my bow moving: the symphony stirs into life in the depths, or comes leaping on to the stage.”

[J'assiste à l'éclosion de ma pensée : je la regarde, je l'écoute : je lance un coup d'archet : la symphonie fait son remuement dans les profondeurs, ou vient d'un bond sur la scène.]

Friday, 16 September 2011

Saying “Yes” and meaning “No”


Working with a multinational company in Tokyo, I was training a group of managers in creative thinking and problem-solving. It was a mixed group of Japanese and expat Europeans.

One of the Europeans, a Brit, got irritated with his Japanese colleagues and announced: “The trouble with you guys is that you don’t tell the truth.”

Shocked silence in the room.

I encouraged the Brit to say some more about what he was thinking. “Well, you guys endlessly say ‘Yes’ when you mean ‘No’,” he blundered on. “It’s very confusing.”

In the break that followed, I took him aside. “Like you, I notice that our Japanese colleagues have multiple ways of doing this,” I said to him. “But haven’t you noticed that we do too?”

“Like what?”

“Well, a regular standby for us is ‘In principle I agree with you’. We know it means “No”, but do you suppose that everyone else knows that?”

Do you have some good yeses that mean no?