Why is it that so many academics so often write in such a
glutinous and pompous style?
Consider this:
“Within the wider literature, the causal status of culture
varies from being a supremely independent variable, the superordinate power in
society to, at the other extreme, a mere epiphenomenon, a powerless
superstructure.”
It’s from a paper by Brendan McSweeney of the University of
Essex. Might there be an intelligible version of that? Perhaps not. Maybe it
means nothing at all. Or, worse, that it’s saying something perfectly obvious.
So what a pleasure it is to turn to Professor Kenneth
Hamilton’s book After the Golden Age: Romantic Pianism and Modern Performance.
Full of insight. Radical in its approach. Charming and witty.
It might be read with benefit by every musician and
musicologist (and academics from all disciplines).

